A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 61
... direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality is so lively and excitable that it spontaneously transforms everything , dyeing them in its own colors ...
... direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality is so lively and excitable that it spontaneously transforms everything , dyeing them in its own colors ...
Pagina 290
... direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been illuminated and harmonized for us ...
... direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been illuminated and harmonized for us ...
Pagina 297
... direct reactions to music , and even the exponents of this view seem to find it almost impossible , as their writings prove , to hold it consistently . It is also in direct contradiction . to the expressed views of some of the great ...
... direct reactions to music , and even the exponents of this view seem to find it almost impossible , as their writings prove , to hold it consistently . It is also in direct contradiction . to the expressed views of some of the great ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words