A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina xxvi
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
Pagina 62
... estheticians have felt the in- sufficiency and instability of such a definition , and in order to give it a firm basis have asked themselves why a thing pleases . And they have converted the discus- sion on beauty into a question of ...
... estheticians have felt the in- sufficiency and instability of such a definition , and in order to give it a firm basis have asked themselves why a thing pleases . And they have converted the discus- sion on beauty into a question of ...
Pagina 205
... Estheticians may lay down similarity conditions but never necessary and suffi- cient ones for the correct application of the concept . With " art " its conditions of application can never be exhaustively enumerated since new cases can ...
... Estheticians may lay down similarity conditions but never necessary and suffi- cient ones for the correct application of the concept . With " art " its conditions of application can never be exhaustively enumerated since new cases can ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words