A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 172
... experience has reached the end for the sake of which it was initiated but because of extraneous interruptions or of inner lethargy . In contrast with such experience , we have an experience when the material experienced runs its course ...
... experience has reached the end for the sake of which it was initiated but because of extraneous interruptions or of inner lethargy . In contrast with such experience , we have an experience when the material experienced runs its course ...
Pagina 176
... experience ; that , on the contrary , no experience of whatever sort is a unity unless it has esthetic quality . The enemies of the esthetic are neither the practical nor the intellectual . They are the humdrum ; slackness of loose ends ...
... experience ; that , on the contrary , no experience of whatever sort is a unity unless it has esthetic quality . The enemies of the esthetic are neither the practical nor the intellectual . They are the humdrum ; slackness of loose ends ...
Pagina 187
... experiences in question are dominantly intellectual or practical , rather than distinctly esthetic , because of the interest and purpose that initiate and control them . In an intellectual experience , the conclusion has value on its ...
... experiences in question are dominantly intellectual or practical , rather than distinctly esthetic , because of the interest and purpose that initiate and control them . In an intellectual experience , the conclusion has value on its ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Joyce Cary judgment kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words