A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 472
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the spectator or the artist is weak . It is a question that an honest ...
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the spectator or the artist is weak . It is a question that an honest ...
Pagina 475
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most ... follow the guidance of the artist . The artist creates , the spectator re - creates . Now the way criticism comes in ...
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most ... follow the guidance of the artist . The artist creates , the spectator re - creates . Now the way criticism comes in ...
Pagina 492
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words