A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 472
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an ... follows their guidance . The organicist's view of artistic creation is thus part of his conception of the ...
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an ... follows their guidance . The organicist's view of artistic creation is thus part of his conception of the ...
Pagina 475
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to esthetic theory . The idea is that the critic re - creates in the process of ...
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to esthetic theory . The idea is that the critic re - creates in the process of ...
Pagina 492
... follows something as some other thing follows it . A well - constructed plot , therefore , must neither begin nor end at haphazard , but conform to these principles . Again , a beautiful object , whether it be a living organism or any ...
... follows something as some other thing follows it . A well - constructed plot , therefore , must neither begin nor end at haphazard , but conform to these principles . Again , a beautiful object , whether it be a living organism or any ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words