A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 130
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
Pagina 148
... give his vague intimations a binding form have left their traces . Even in the Rhodesian cliff - drawings of the Old Stone Age there appears , side by side with the most amazingly life - like representations of animals , an abstract ...
... give his vague intimations a binding form have left their traces . Even in the Rhodesian cliff - drawings of the Old Stone Age there appears , side by side with the most amazingly life - like representations of animals , an abstract ...
Pagina 196
... give it an indirect relationship to other things we call the same name . And we extend our concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside in the fact that some one ...
... give it an indirect relationship to other things we call the same name . And we extend our concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside in the fact that some one ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words