A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 109
... individual soul , separated by the very nature of his individuality from the real of which he is nevertheless a part . It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential ...
... individual soul , separated by the very nature of his individuality from the real of which he is nevertheless a part . It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential ...
Pagina 333
... individual form . To be sure , type patterns can be used by percipients as mere tags of identification and can become the dead ends of devitalized perception instead of tools to implement detailed appreciation . Often they are no more ...
... individual form . To be sure , type patterns can be used by percipients as mere tags of identification and can become the dead ends of devitalized perception instead of tools to implement detailed appreciation . Often they are no more ...
Pagina 390
... individual consciousness . In this self - objectification lies self- privation . This affirmation of our individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of its boundless ...
... individual consciousness . In this self - objectification lies self- privation . This affirmation of our individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of its boundless ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words