A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 29
... kind of truth , but a kind of good . The per- ception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
... kind of truth , but a kind of good . The per- ception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
Pagina 120
... kind is bound up with the antagonism of the sexes . The plenitude of power and restraint , the highest form of self - affirmation in a cool , noble , and reserved kind of beauty : the Apollonianism of the Hellenic will . This antagonism ...
... kind is bound up with the antagonism of the sexes . The plenitude of power and restraint , the highest form of self - affirmation in a cool , noble , and reserved kind of beauty : the Apollonianism of the Hellenic will . This antagonism ...
Pagina 249
... kind of art are few , but decisive ; they determine what is art , and what is not . Expressiveness , in one definite and appropriate sense , is the same in all art works of any kind . What is created is not the same in any two distinct ...
... kind of art are few , but decisive ; they determine what is art , and what is not . Expressiveness , in one definite and appropriate sense , is the same in all art works of any kind . What is created is not the same in any two distinct ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words