A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 316
... lines express . Just as there the lines and their meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the ...
... lines express . Just as there the lines and their meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the ...
Pagina 325
... line , or volume , as the pointed arch of the Gothic , the round arch of the Roman , the ellipse of the baroque . In ... lines ( paral- lelism ) in painting and sculpture and architecture ; the refrain in poetry ; the re- appearance of ...
... line , or volume , as the pointed arch of the Gothic , the round arch of the Roman , the ellipse of the baroque . In ... lines ( paral- lelism ) in painting and sculpture and architecture ; the refrain in poetry ; the re- appearance of ...
Pagina 327
... line is high , and the upper part seems therefore to be relatively empty of masses ; for the distance values in the ... lines , and their opposition and balance , two by two . Or a colonnade , as you apprehend the columns in succession ...
... line is high , and the upper part seems therefore to be relatively empty of masses ; for the distance values in the ... lines , and their opposition and balance , two by two . Or a colonnade , as you apprehend the columns in succession ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words