A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 372
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
Pagina 378
... merely imagine things of this sort . Here again two possibilities present themselves . The imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride , which the other person has ...
... merely imagine things of this sort . Here again two possibilities present themselves . The imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride , which the other person has ...
Pagina 441
... merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a ...
... merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words