A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 19
... object the imaginative elements are but a part of the real object which is cognized , in beauty the supplementing imagination is independent of what is perceived and yet is blended with what is perceived into a new esthetic whole ...
... object the imaginative elements are but a part of the real object which is cognized , in beauty the supplementing imagination is independent of what is perceived and yet is blended with what is perceived into a new esthetic whole ...
Pagina 374
... object- a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
... object- a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
Pagina 376
... object that is at the same time its ground . I can even give to this object a two- fold characterization . First , the object in question is the strong , proud , free ego ; not the ego as such , however , but just so far as it ...
... object that is at the same time its ground . I can even give to this object a two- fold characterization . First , the object in question is the strong , proud , free ego ; not the ego as such , however , but just so far as it ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Joyce Cary judgment kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words