A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 369
... object , but the image as remodeled by imagination and charged with vital meaning . It is the beautiful thing contemplated , and is therefore to be distinguished from the act of contemplation . Attention is not aware of itself ; it is ...
... object , but the image as remodeled by imagination and charged with vital meaning . It is the beautiful thing contemplated , and is therefore to be distinguished from the act of contemplation . Attention is not aware of itself ; it is ...
Pagina 374
... object- a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
... object- a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
Pagina 376
... object that is at the same time its ground . I can even give to this object a two- fold characterization . First , the object in question is the strong , proud , free ego ; not the ego as such , however , but just so far as it ...
... object that is at the same time its ground . I can even give to this object a two- fold characterization . First , the object in question is the strong , proud , free ego ; not the ego as such , however , but just so far as it ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words