A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 341
... possible in any subject matter or style . A style is like a language , with an internal order and expressiveness , admitting a varied intensity or delicacy of statement . This approach is a relativism that does not exclude absolute judg ...
... possible in any subject matter or style . A style is like a language , with an internal order and expressiveness , admitting a varied intensity or delicacy of statement . This approach is a relativism that does not exclude absolute judg ...
Pagina 444
... possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the direction and accentuation of his interest - in other words to the play of impulses which con- trols his ...
... possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the direction and accentuation of his interest - in other words to the play of impulses which con- trols his ...
Pagina 494
... possible : but what has happened is manifestly possible : otherwise it would not have happened . Still there are even some tragedies in which there are only one or two well - known names , the rest being fictitious . In others , none ...
... possible : but what has happened is manifestly possible : otherwise it would not have happened . Still there are even some tragedies in which there are only one or two well - known names , the rest being fictitious . In others , none ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words