A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 87
... reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not be more than skin - deep , dealing with persons at the point at which they come into contact and become ...
... reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not be more than skin - deep , dealing with persons at the point at which they come into contact and become ...
Pagina 147
... reason - mongers may say . The vision is not something derived or secondary , and it is not a symp- tom of something else . It is true symbolic expression - that is , the expression of something existent in its own right , but ...
... reason - mongers may say . The vision is not something derived or secondary , and it is not a symp- tom of something else . It is true symbolic expression - that is , the expression of something existent in its own right , but ...
Pagina 191
... reason for the necessity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endurance . The soul cries aloud for release into change . It suffers the agonies of claustrophobia ...
... reason for the necessity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endurance . The soul cries aloud for release into change . It suffers the agonies of claustrophobia ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Joyce Cary judgment kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words