A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 60
An Anthology Melvin Miller Rader. IV . Style and Personality Style is the man , says Buffon ; and he is right . Get some one who can read , to read a page of Demosthenes and of Cicero , of Bossuet and of Massillon , of Corneille and of ...
An Anthology Melvin Miller Rader. IV . Style and Personality Style is the man , says Buffon ; and he is right . Get some one who can read , to read a page of Demosthenes and of Cicero , of Bossuet and of Massillon , of Corneille and of ...
Pagina 336
... style " or the " style of a civilization . ” For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
... style " or the " style of a civilization . ” For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
Pagina 344
... style of the original . Hence the strange juxtapositions of styles within some medieval objects . It should be said , however , that some styles , by virtue of their open , irregular forms , can tolerate the unfinished and heterogeneous ...
... style of the original . Hence the strange juxtapositions of styles within some medieval objects . It should be said , however , that some styles , by virtue of their open , irregular forms , can tolerate the unfinished and heterogeneous ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Joyce Cary judgment kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words