A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 336
... style " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
... style " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
Pagina 338
... style or its author , or the historical relation to other styles , rather than its peculiar features . The characteristics of styles vary continuously and resist a systematic classification into perfectly distinct groups . It is ...
... style or its author , or the historical relation to other styles , rather than its peculiar features . The characteristics of styles vary continuously and resist a systematic classification into perfectly distinct groups . It is ...
Pagina 344
... style of the original . Hence the strange juxtapositions of styles within some medieval objects . It should be said , however , that some styles , by virtue of their open , irregular forms , can tolerate the unfinished and heterogeneous ...
... style of the original . Hence the strange juxtapositions of styles within some medieval objects . It should be said , however , that some styles , by virtue of their open , irregular forms , can tolerate the unfinished and heterogeneous ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words