A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 207
... understand this distinction between the formula and what lies behind it , it behooves us to deal generously with the traditional theories of art ; because incorporated in every one of them is a debate over and argument for emphasizing ...
... understand this distinction between the formula and what lies behind it , it behooves us to deal generously with the traditional theories of art ; because incorporated in every one of them is a debate over and argument for emphasizing ...
Pagina 442
... understanding of this highest truth it is not necessary to learn anything by heart or to make experiments ; and yet serious and severe training is required . We have said that to understand anything as it is in itself , we must be able ...
... understanding of this highest truth it is not necessary to learn anything by heart or to make experiments ; and yet serious and severe training is required . We have said that to understand anything as it is in itself , we must be able ...
Pagina 461
... understand what it was that the authors or makers of works of art intended to express , and to interpret this ... understanding of the work of art itself and its expressed content . The prefix " re , " in the term " re - creation , " is ...
... understand what it was that the authors or makers of works of art intended to express , and to interpret this ... understanding of the work of art itself and its expressed content . The prefix " re , " in the term " re - creation , " is ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words