A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 223
... whole delight and interest of " body - and - mind ” in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
... whole delight and interest of " body - and - mind ” in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
Pagina 324
... whole is not something additional to the elements of the work of art , but their cooperative deed . This principle ... whole man , because it momentarily makes of man a whole . The " isolation " of the esthetic experience of Hugo ...
... whole is not something additional to the elements of the work of art , but their cooperative deed . This principle ... whole man , because it momentarily makes of man a whole . The " isolation " of the esthetic experience of Hugo ...
Pagina 492
... whole that is wanting in magnitude . A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal neces- sity , but after which something naturally is or comes to ...
... whole that is wanting in magnitude . A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal neces- sity , but after which something naturally is or comes to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Joyce Cary judgment kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words