CONDITIONS OF SALE All bids to be PER LOT as numbered in the Catalogue. The highest bidder to be the buyer. In all cases of disputed bids the lot shall be resold, but the Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. Buyers to give their names and addresses and to make such cash payments on account as may be required, in default of which the lots purchased to be immediately resold. Goods bought to be removed at the close of each sale. If not so removed they will be at the sole risk of the purchaser, and subject to storage charges, and The Anderson Galleries, Incorporated, will not be responsible if such goods are lost, stolen, damaged or destroyed. TERMS CASH. If accounts are not paid at the conclusion of each sale, or, in the case of absent buyers, when bills are rendered, this Company reserves the right to recatalogue the goods for immediate sale without notice to the defaulting buyer, and all costs of such resale will be charged to the defaulter. This condition is without prejudice to the rights of the Company to enforce the sale contract and collect the amount due without such resale at its own option. Unsettled accounts are subject to interest at the rate of six per cent. per annum. All books are sold as catalogued, and are assumed to be in good SECOND-HAND condition. If material defects are found, not mentioned in the catalogue, the lot may be returned. Notice of such defects must be given promptly and the goods returned within ten days from the date of the sale. No exceptions will be made to this rule. Maga zines and other periodicals, and all miscellaneous books arranged in parcels, are sold as they are, without recourse. Autograph Letters, Documents, Manuscripts and Bindings are sold as they are, without recourse. The utmost care is taken to authenticate and correctly describe items of this character, but this Company will not be responsible for errors, omissions, or defects of any kind. BIDS. We make no charge for executing orders for our customers and use all bids competitively, buying at the lowest price permitted by other bids. Priced Copy of this Catalogue may be secured for fifty cents for each session of the sale. SALE MONDAY AFTERNOON, APRIL SEVENTEENTH, AT 2:30 FIRST SESSION ¶ Unless otherwise described, all books are in original cloth binding and in good, second-hand condition. 1. ADE (GEORGE). Autograph Manuscript, on "What will people read while the war is on?" 1 p., 4to, signed. Together with one of Ade's characteristic humorous aphorisms, written on a separate sheet, and signed. "Early to bed and early to rise, and you will meet very few Prominent People." Beaumont 2. ALDINGTON (RICHARD). Images of War. Press, 1919; Demeter (Tennyson), 1889; Poems by Oscar Wilde. First American Edition, 1881; The Three Taverns (Robinson), 1920; Avon's Harvest, 1921. 5 vols., various sizes and bindings. FIRST EDITIONS. 3. ALLINGHAM (WILLIAM). Flower Pieces and other Poems. With 2 designs by Dante Gabriel Rossetti. Square 12mo, boards, vellum back, uncut. London, 1888 LARGE PAPER COPY. This book was issued with the following note: "The Maids of Elfin-Mere' woodcut has for some years been very rare and much sought after. The copies now published are all that remain of the original printing, those on Large Paper being selected impressions. 'The Queen's Page' has never before been made public."' 4. ANSTEY (F.). ORIGINAL AUTOGRAPH MANUSCRIPT, no caption, but on the late War, 2 pp., 4to, signed, with author's manuscript corrections. Together with 2 A. L. s. on cards, dated Sept. 8 and 13, 1914. 5. ARROW (SIMON). Count Fanny's Nuptials: Being the Story of a Courtship. Numerous illustrations in the manner of Beardsley. 4to, uncut. Printed for Private Circulation, n. p., n. d. 6. ARROW (THE). Edited by W. B. Yeats. Vol. 1, Nos. 1-5. 5 numbers, small 4to, wrappers. 1906-9 SCARCE. 7. ASQUITH (MARGOT). The Autobiography of. Portraits. 8vo, uncut. London, [1920] FIRST EDITION, with inserted slip. 8. AUSTIN (ALFRED). ORIGINAL AUTOGRAPH MANUSCRIPT, "Coronation Sonnet," signed, with postscript note, signed with initials. Together with 2 A. L. s., in relation to the Sonnet. 9. BALZAC (HONORE DE). Nine Tales from the Contes Drolatiques. Rendered into English of the XIVth and XVth Centuries. By Robert Crawford. Portrait. 8vo, boards, vellum back, uncut. London, 1921 One of 600 copies printed for private circulation. Autographed by Robert Crawford. 10. Another copy. London, 1921 11. [BARHAM (R. H. D.).] Martin's Vagaries, Being a Sequel to "A Tale of a Tub," recently discovered at the University of Oxford. Illustrated by George Cruikshank. 12mo, wrappers, uncut and unopened (plates foxed). London, 1843 FIRST EDITION. 12. BARRIE (J. M.). Charles Frohman: A Tribute. Small 4to, wrappers. [London: Privately Printed, 1915] SCARCE. One of 20 copies privately issued by Clement Shorter for circulation among his friends. Autographed by him. 13. Shakespeare's Legacy. Small 4to, wrappers. [London: Privately Printed, 1916] VERY SCARCE. One of 25 copies privately issued by Clement Shorter for circulation among his friends. 14. BEARDSLEY (AUBREY). Wilde (Oscar). Salome. A Tragedy in One Act. Translated from the French. Illustrations by Aubrey Beardsley. 8vo, buckram, uncut. London, 1894 FIRST EDITION IN ENGLISH. One of 500 copies. 15. Lucian's True History. [ -] Translated by Francis Hickes. Illustrated by William Strang, J. B. Clark and Aubrey Beardsley. Small 4to, buckram, uncut. One of 251 copies. Very scarce. London: Privately Printed, 1894 16. A Book of Fifty Drawings. With an Iconography by Aymer Vallance. 4to, vellum, gilt decorations by Beardsley, gilt top, uncut. 17. ONE OF 50 COPIES ON JAPAN PAPER. London, 1897 Dowson (Ernest). The Pierrot of the Minute. A Dramatic Phantasy in One Act. Frontispiece, initial letter, vignette and cul-de-lampe by Aubrey Beardsley. top, uncut. 18. cut. 19. [ ONE OF 30 COPIES ON JAPANESE VELLUM. 4to, vellum, gilt London, 1897 The Story of Venus and Tannhauser. 4to, boards, un- FIRST EDITION. One of 300 copies. Jackson (Holbrook). The Eighteen Nineties. A Review of Art and Ideas at the Close of the Nineteenth Century. Illustrated. 8vo, uncut. London, 1913 FIRST EDITION. SCARCE. Contains numerous reproductions by Beardsley, Max Beerbohm, Walter Crane, and others. 20. BEERBOHM (MAX). A Book of Caricatures. With 48 caricature portraits. Folio, boards, buckram back. London [1907] FIRST EDITION. Includes caricatures of H. G. Wells, Henry James, Bernard Shaw, John Davidson, Hilaire Belloc, Gilbert Chesterton, and others. 21. A Christmas Garland. 12mo, uncut. FIRST EDITION. Scarce. London, 1912 22. [-] Reveille. Devoted to the Disabled Sailor and Soldier. Edited by John Galsworthy. Nos. 1-3 for August and November, 1918, and Feb. 1919. 3 numbers, 8vo, wrappers. London, 1918-19 Contain contributions by Max Beerbohm, Kipling, Galsworthy, Conrad, Lucas, Barrie, Chesterton, Hardy, Drinkwater, and others. Two of the numbers have an illustration by Beerbohm. 25. A Survey. With numerous caricatures in color and monochrome. Royal 8vo. London, 1921 FIRST EDITION. Contains caricatures of Conrad, Lloyd George, Woodrow Wilson's Peace, Woodrow Wilson addressing Congress, and others. 26. Lynch (Bohun). [- -] Max Beerbohm in Perspective. With a Prefatory Letter by M. B. Portrait in color and numerous illustrations. 8vo, boards, cloth back, paper label. London, 1921 27. FIRST EDITION. Herbert Beerbohm Tree. Some Memories of him and his Art. Portraits and illustrations. FIRST EDITION. 12mo. 28. BELTAINE. The Organ of the Irish Literary Theatre. Edited by W. B. Yeats. Nos. 1-3, in one vol., small 4to, boards, uncut, original wrappers bound in. London, 1899 Scarce. 29. BENNETT (ARNOLD). Sacred and Profane Love. A Novel in Three Episodes. 12mo, uncut. FIRST EDITION. London, 1905 33. 34. Our Women. Chapters on Sex-Discord. 12mo. London, 1920 Things that have Interested Me. 12mo, uncut. FIRST EDITION. London, 1921 35. Things that have interested Me, 1921; The Unfortunate Traveller (Nashe), 1920; Dramatic Vistas (Gerard), 1919; Naked Warriors (Read), 1919; A Dull Day in London (Sigerson), [1920]; The New Jerusalem (Chesterton), n. d. 6 vols., 16mo to 8vo, cloth and boards. Mainly FIRST EDITIONS. 36. BENSON (ARTHUR C.). Honble. William Ewart Gladstone. Ode in Memory of the Rt. 4to, gray wrappers, uncut. Eton: R. Ingalton Drake, 1898 THE VERY RARE PRIVATELY PRINTED FIRST EDITION. Only a limited number of copies were struck off. Apparently a Large Paper Copy. Laid in is a presentation inscription on Eton College note paper: "With the compliments of the writer. June 29, 1898. 37. BESANT (ANNIE). ORIGINAL AUTOGRAPH MANUSCRIPT, signed, on "Home Rule in Ireland." Written on 3 pp., 4to. companied by an A. L. s., 1 p., 4to, dated Benares City, Jan. 14, 1912, relating to the MS. 38. BEWICK (T.). A General History of Quadrupeds. Woodcuts by T. Bewick. 8vo, original calf (a few damp stains). Newcastle, 1791 39. [BIERCE (AMBROSE).] The Fiend's Delight. By Dod Grile. 12mo. London: Hotten, [1873] FIRST EDITION. 40. [] The Dance of Death. By William Herman. 16mo. FIRST EDITION. Without the Press Notices. San Francisco, 1877 41. ORIGINAL AUTOGRAPH MANUSCRIPT, "Views of One,' signed at the top, with caption. Written on 8 pp., 8vo. Together with 2 letters, one an A. L. s. of 2 pp., 8vo, and the other a typewritten letter, signed; both on literary matters. 42. BLAKE (WILLIAM). XVII Designs to Thornton's Virgil, reproduced from the original woodcuts. Royal 8vo, boards, uncut. One of 450 copies. Portland: Mosher, 1899 43. BLAST. Edited by Wyndham Lewis. Review of the Great English Vortex. With numerous illustrations. Nos. 1 and 2. 2 vols., 4to, wrappers. Contributions by Wyndham Lewis, Wadsworth, Ezra Pound, and others. Modern Art are by Dismorr, Etchells, others. London, 1914 Ford Maddox Hueffer, Edward |