Aesthetic: As Science of Expression and General LinguisticBenedetto Croce Routledge, 30 nov 2017 - 510 pagine Benedetto Croce is one of the most influential philosophers of the twentieth century. His work in aesthetics and historiography has been controversial, but enduring. When the first edition of ^Esthetic appeared in 1902, Croce was seen as foremost in reasserting an idealistic philosophy, which despite its source in continental idealists from Descartes to Hegel, offers a system that attempts to account for the emergence of scientific systems. Croce thus combines scientific and metaphysical thought into a dynamic aesthetic. Croce regards aesthetics not merely as a branch of philosophy, but as a fundamental human activity. It is inseparable from historical, psychological, political, economic, and moral considerations, no less than a unique frame of artistic reference. Aesthetic is composed of two parts: Part One concentrates on aesthetic theory and practice. Among the topics it covers are: intuition and expression, art and philosophy, historicism and intellectualism, and beauty in nature and in art. Part Two is devoted to the history of aesthetics. Croce analyzes such subjects as: aesthetic ideas in the Middle Ages and Renaissance, Giambattista Vico as the inventor of aesthetic science, the philosophy of language, and aesthetic psychologism. In his new introduction to a classic translation, John McCormick assesses Croce's influence in aesthetic theory and historiography. He notes that the republication of this work is an overdue appreciation of a singular effort to resolve the classic questions of the philosophy of art, art for its own sake and art as a social enterprise; both find a place in Croce's system. |
Sommario
Historicism and Intellectualism in Ęsthetic | |
Analogous Errors in the Theory of History and in Logic | |
Ferments of Thought in the Seventeenth Century | |
Ęesthetic Ideas in the Cartesian and Leibnitian | |
Schools And the Ęsthetic of Baumgarten V Giambattista Vico | |
Immanuel Kant | |
Schiller Schelling Solger Hegel | |
Schopenhauer and Herbart | |
Friedrich Schleiermacher | |
Humboldt and Steinthal | |
The Theoretic Activity and the Practical Activity | |
Analogy Between the Theoretic and the Practical | |
Exclusion of Other Spiritual Forms | |
Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric | |
Ęsthetic Feelings and the Distinction Between the Beautiful and the Ugly | |
Criticism of Ęsthetic Hedonism XII The Ęsthetic of the Sympathetic and Pseudo Ęsthetic Concepts XIII The Physically Beautiful in Nature and in | |
Errors Arising from the Confusion Between Physics | |
and Ęsthetic XV The Activity of Externalization Technique and the Theory of the Arts | |
Taste and the Reproduction of | |
The History of Literature and | |
Identity of Linguistic and Ęsthetic | |
History of Ęsthetic | |
Ęsthetic Ideas in GręCoRoman Antiquity | |
Ęesthetic Ideas in the Middle Ages and Renaissance | |
Minor German Ęstheticians | |
Ęsthetic in France England and Italy During the First Half of the Nineteenth Century | |
Francesco De Sanctis | |
Ęsthetic of the Epigoni | |
Ęsthetic Positivism and Naturalism | |
Ęsthetic Psychologism and Other Recent Tendencies | |
Historical Sketches of Some Particular Doctrines | |
Or the Theory of Ornate Form | |
History of the Artistic and Literary Kinds | |
The Theory of the Limits of the Arts | |
Other Particular Doctrines | |
Bibliographical Appendix | |
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic: in large print Benedetto Croce,Douglas Ainslie Anteprima limitata - 2024 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 1966 |