Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 159
... Baroque to be a formal category . Besides Jesuitic Baroque , there were a Macedonian Baroque , a Hellenistic Baroque , a Gothic Baroque - even a Buddhist Baroque , a fin - de - siècle Baroque and a post- ( First World ) War Baroque ...
... Baroque to be a formal category . Besides Jesuitic Baroque , there were a Macedonian Baroque , a Hellenistic Baroque , a Gothic Baroque - even a Buddhist Baroque , a fin - de - siècle Baroque and a post- ( First World ) War Baroque ...
Pagina 198
... Baroque was recognized as more than merely a degeneration of Renaissance by Wölfflin ( 1888 ) . Mannerism became an independent style , distinguished from both Renaissance and Baroque , due to the work of critics like Voss ( 1920 ) and ...
... Baroque was recognized as more than merely a degeneration of Renaissance by Wölfflin ( 1888 ) . Mannerism became an independent style , distinguished from both Renaissance and Baroque , due to the work of critics like Voss ( 1920 ) and ...
Pagina 199
... Baroque and Mannerism have been canonized . The classes cited above are still tentative , pre - canonical ; they may or may not generate the consensus necessary for canonization . The ultimate yardstick for accepting or rejecting a ...
... Baroque and Mannerism have been canonized . The classes cited above are still tentative , pre - canonical ; they may or may not generate the consensus necessary for canonization . The ultimate yardstick for accepting or rejecting a ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi