Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 19
... Pevsner thought . How then could Pevsner describe it as ' functional ' ? It was rectilinear and glass curtain - walled and there were no diagonal accents . It looked functional – and therefore , as far as Pevsner was concerned , it was ...
... Pevsner thought . How then could Pevsner describe it as ' functional ' ? It was rectilinear and glass curtain - walled and there were no diagonal accents . It looked functional – and therefore , as far as Pevsner was concerned , it was ...
Pagina 20
... Pevsner and Goldberger agree in their approval of rectilinear glass towers , their reasons are diametrically opposed . For Pevsner , the tower meant economy and avoidance of personal expression . For Goldberger , it meant extravagant ...
... Pevsner and Goldberger agree in their approval of rectilinear glass towers , their reasons are diametrically opposed . For Pevsner , the tower meant economy and avoidance of personal expression . For Goldberger , it meant extravagant ...
Pagina 118
... Pevsner may seem to be com- prehensive enough to some readers , but this by no means proves that their expressive systems are exhaustive : it may simply indicate that those readers operate within the same framework as did Giedion and ...
... Pevsner may seem to be com- prehensive enough to some readers , but this by no means proves that their expressive systems are exhaustive : it may simply indicate that those readers operate within the same framework as did Giedion and ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
21 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote