Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 120
... Scully published The Shingle style in 1955 , he announced that his objective was ' to illuminate the main course of theory and design which developed by the late nineteenth century into a unique American achievement in architecture ...
... Scully published The Shingle style in 1955 , he announced that his objective was ' to illuminate the main course of theory and design which developed by the late nineteenth century into a unique American achievement in architecture ...
Pagina 243
... Scully , even if he did not call it by that name . However , it was Scully , not Tallmadge , who must be credited for having ' created ' the Shingle style , introducing it as a unit into the socially shared architectural knowledge in ...
... Scully , even if he did not call it by that name . However , it was Scully , not Tallmadge , who must be credited for having ' created ' the Shingle style , introducing it as a unit into the socially shared architectural knowledge in ...
Pagina 245
... Scully reported in The Shingle style today or the historians revenge ( 1974 ) that Moore admitted that he had read Scully's early publications on the Stick and Shingle styles and was influenced by them . But such disclosures impinge on ...
... Scully reported in The Shingle style today or the historians revenge ( 1974 ) that Moore admitted that he had read Scully's early publications on the Stick and Shingle styles and was influenced by them . But such disclosures impinge on ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi