Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 71
... already drunk three pints , and is a little tipsy . The bride's other brother , behind , is pouring out beer as fast as he can . The bridegroom will not have long to wait , yet he is making a fuss already , half - way through his ...
... already drunk three pints , and is a little tipsy . The bride's other brother , behind , is pouring out beer as fast as he can . The bridegroom will not have long to wait , yet he is making a fuss already , half - way through his ...
Pagina 94
... already the long horizontal window band as the one and only dominant motif of the façade , and there is an almost complete absence of ornament . [ my italics ] This excerpt seems to suggest the absence of ornament in the whole façade ...
... already the long horizontal window band as the one and only dominant motif of the façade , and there is an almost complete absence of ornament . [ my italics ] This excerpt seems to suggest the absence of ornament in the whole façade ...
Pagina 100
... already the long horizontal window band as the one and only dominant motif of the façade ( Pevsner , 1948 ) . The long windows and wide sills underline the horizontal arrangement 100 'Horizontal' and 'vertical' as positions within a system.
... already the long horizontal window band as the one and only dominant motif of the façade ( Pevsner , 1948 ) . The long windows and wide sills underline the horizontal arrangement 100 'Horizontal' and 'vertical' as positions within a system.
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote