Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 65
... artistic meaning . We will try to show that interpretation occurs not on a one - to - one basis – each work interpreted on its own merits but that the interpretation of a single work is affected by interpretations of other works taking ...
... artistic meaning . We will try to show that interpretation occurs not on a one - to - one basis – each work interpreted on its own merits but that the interpretation of a single work is affected by interpretations of other works taking ...
Pagina 78
... artistic information such as provided by historical documents . Wimsatt and Beardsley ( 1946 ) asked that poems be judged ' like a pudding or a machine ' . Poems , like machines , should ' work ' . What matters is what poems are and how ...
... artistic information such as provided by historical documents . Wimsatt and Beardsley ( 1946 ) asked that poems be judged ' like a pudding or a machine ' . Poems , like machines , should ' work ' . What matters is what poems are and how ...
Pagina 123
... artistic expressive systems is only a myth . We may think that we are sensitive to any architectural or artistic phenomenon – but we are not . To cite a famous statement by Wölfflin ( 1922 ) : Even the most original talent cannot ...
... artistic expressive systems is only a myth . We may think that we are sensitive to any architectural or artistic phenomenon – but we are not . To cite a famous statement by Wölfflin ( 1922 ) : Even the most original talent cannot ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi