Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 65
... context . We should focus on collective , consensual rather than personal in- terpretations of architecture or art ... context . Furthermore , we may try to show that the interpretation of a certain form may change if it is placed in a ...
... context . We should focus on collective , consensual rather than personal in- terpretations of architecture or art ... context . Furthermore , we may try to show that the interpretation of a certain form may change if it is placed in a ...
Pagina 79
... context . At the time he was painting Calm , Kandinsky was working side by side with Klee at the Bauhaus . In 1927 Klee had drawn a large harbour scene which he called Activity at the Port ( 48 ) , in which he experimented with graphic ...
... context . At the time he was painting Calm , Kandinsky was working side by side with Klee at the Bauhaus . In 1927 Klee had drawn a large harbour scene which he called Activity at the Port ( 48 ) , in which he experimented with graphic ...
Pagina 99
... context . But our concept of expressive system is broader and richer than the psychologists ' notion of perceptual context . The system of forms is not limited to the immediate perceptual context in which the form appears , but it is ...
... context . But our concept of expressive system is broader and richer than the psychologists ' notion of perceptual context . The system of forms is not limited to the immediate perceptual context in which the form appears , but it is ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote