Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 103
... elements : Neither horizontality nor verticality is emphasized ( Fitch , 1948 ) . Neither horizontal nor vertical lines are emphasized ( Watterson , 1950 ) . Not only the horizontalist prejudice is here superseded , but also the ...
... elements : Neither horizontality nor verticality is emphasized ( Fitch , 1948 ) . Neither horizontal nor vertical lines are emphasized ( Watterson , 1950 ) . Not only the horizontalist prejudice is here superseded , but also the ...
Pagina 149
... elements of activity , ambition , and directness of purpose , are all shown thereby in its architectural forms . ' Morrison , writing in 1935 , still indicated approvingly that the ornament framing the windows of the department store ...
... elements of activity , ambition , and directness of purpose , are all shown thereby in its architectural forms . ' Morrison , writing in 1935 , still indicated approvingly that the ornament framing the windows of the department store ...
Pagina 221
... element ' column ' . The relationship between the meaning of architectural elements and the meaning of the words used to refer to them is too complex to be dealt with in this study . * Still another type of text analysis is the one ...
... element ' column ' . The relationship between the meaning of architectural elements and the meaning of the words used to refer to them is too complex to be dealt with in this study . * Still another type of text analysis is the one ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote