Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 19
... functional ' ? It was rectilinear and glass curtain - walled and there were no diagonal accents . It looked functional – and therefore , as far as Pevsner was concerned , it was functional . - For someone primarily interested in ...
... functional ' ? It was rectilinear and glass curtain - walled and there were no diagonal accents . It looked functional – and therefore , as far as Pevsner was concerned , it was functional . - For someone primarily interested in ...
Pagina 128
... functional . The potential of a form was in no way seen as being diminished by its having been used in the past on the contrary , such a past use of the form could enrich its meaning by adding certain connotations . Working with formal ...
... functional . The potential of a form was in no way seen as being diminished by its having been used in the past on the contrary , such a past use of the form could enrich its meaning by adding certain connotations . Working with formal ...
Pagina 208
... Functional problems may have been simple or looked trivial ; yet it was a functional consideration , not a spatial one , the one which allowed Glaeser to identify the ' ritual center ' of the building ( 113 , 114 ) . He wrote recently ...
... Functional problems may have been simple or looked trivial ; yet it was a functional consideration , not a spatial one , the one which allowed Glaeser to identify the ' ritual center ' of the building ( 113 , 114 ) . He wrote recently ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote