Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
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Pagina 47
... imitation and snobbery distorted the fundamental truth and simplicity on which this renascence was based . The ultimate crisis of the ideals of the Modern Movement could have been forecast from its very outset . It was not the result of ...
... imitation and snobbery distorted the fundamental truth and simplicity on which this renascence was based . The ultimate crisis of the ideals of the Modern Movement could have been forecast from its very outset . It was not the result of ...
Pagina 150
... imitate . Houses , offices or shops were easily designed with a free plan or flowing space . But it was difficult to engage in subtle interplay of tex- tures when facing the functional and economic restraints of common design ...
... imitate . Houses , offices or shops were easily designed with a free plan or flowing space . But it was difficult to engage in subtle interplay of tex- tures when facing the functional and economic restraints of common design ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi