Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 26
... indicator , like the queue and the ambulance . But unlike these indicators , the notice is also a signal , 1 ) because it was deliberately used by someone ( the police ) to communicate something ( the occurrence of the accident ) to ...
... indicator , like the queue and the ambulance . But unlike these indicators , the notice is also a signal , 1 ) because it was deliberately used by someone ( the police ) to communicate something ( the occurrence of the accident ) to ...
Pagina 27
... indicators that fulfil the first stipulation of the definition of signals , but not the second . In other words , they are in- dicators deliberately used to communicate , which are not recognized as such by an interpreter . Indicators ...
... indicators that fulfil the first stipulation of the definition of signals , but not the second . In other words , they are in- dicators deliberately used to communicate , which are not recognized as such by an interpreter . Indicators ...
Pagina 28
... indicators can be classified according to whether or not they have been intentionally produced to communicate , and whether or not they are believed by the interpreter to have been produced for that purpose . Four types of indicators ...
... indicators can be classified according to whether or not they have been intentionally produced to communicate , and whether or not they are believed by the interpreter to have been produced for that purpose . Four types of indicators ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote