Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 32
... intellectual creation which arose only in certain societies . Members of other societies may fail to recognize a cube as such , just as members of a non - motorized civilization may fail to infer an accident from the sight of a queue on ...
... intellectual creation which arose only in certain societies . Members of other societies may fail to recognize a cube as such , just as members of a non - motorized civilization may fail to infer an accident from the sight of a queue on ...
Pagina 216
... intellectual background , philosophical and religious . Their texts are not as semiotic in nature as Koenig's or Sepliarsky's : what is at stake in them is not ' how ' the Pavilion achieved its meaning , nor even ' what ' exactly it ...
... intellectual background , philosophical and religious . Their texts are not as semiotic in nature as Koenig's or Sepliarsky's : what is at stake in them is not ' how ' the Pavilion achieved its meaning , nor even ' what ' exactly it ...
Pagina 217
... intellectual , social and cultural phenomenon , whereas before it was merely a natural awareness ) is largely due to the alarming data provided by biologists and by those who study post - industrial civilization - not to mention ...
... intellectual , social and cultural phenomenon , whereas before it was merely a natural awareness ) is largely due to the alarming data provided by biologists and by those who study post - industrial civilization - not to mention ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote