Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 43
... laws had dictated a single detail . The buildings were not Classical , they were not Gothic , they were not Renaissance . They were only Howard Roark . Newness , of course , implies change . Fuller confidently spoke of the ' unhaltable ...
... laws had dictated a single detail . The buildings were not Classical , they were not Gothic , they were not Renaissance . They were only Howard Roark . Newness , of course , implies change . Fuller confidently spoke of the ' unhaltable ...
Pagina 128
... laws of its own , that resist extra- historical explanation . Types can only exist , according to this position , within specific , real historical contexts , and therefore the scholar's atten- tion must centre on the period and its ...
... laws of its own , that resist extra- historical explanation . Types can only exist , according to this position , within specific , real historical contexts , and therefore the scholar's atten- tion must centre on the period and its ...
Pagina 231
... laws ' . Drexler ( 1960 ) said that the building was ' the grammar of a complete style , an ordering principle cap- able of generating other works of art ' . Joedicke ( 1958 ) suggested that Mies did not create buildings , but building ...
... laws ' . Drexler ( 1960 ) said that the building was ' the grammar of a complete style , an ordering principle cap- able of generating other works of art ' . Joedicke ( 1958 ) suggested that Mies did not create buildings , but building ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote