Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 98
... merely occupies the position of ' unornamented ' within a system and a form which is factually not ornamented . Interpreters.may have assumed - wrongly - that if a form appears to be unornamented , it is factually unornamented . But in ...
... merely occupies the position of ' unornamented ' within a system and a form which is factually not ornamented . Interpreters.may have assumed - wrongly - that if a form appears to be unornamented , it is factually unornamented . But in ...
Pagina 214
... merely using new terms to refer to particulars of the building which have been noted before . But there is also some truly new material , such as her observation that the key to the entire composition was the long wall running along the ...
... merely using new terms to refer to particulars of the building which have been noted before . But there is also some truly new material , such as her observation that the key to the entire composition was the long wall running along the ...
Pagina 245
... merely a numerical scale that goes from a very poor solution to a perfect solution , and players are invited to re - submit a modified design . After a series of cycles , some players can identify the ' perfect ' solution . The game ...
... merely a numerical scale that goes from a very poor solution to a perfect solution , and players are invited to re - submit a modified design . After a series of cycles , some players can identify the ' perfect ' solution . The game ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote