Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 149
... noted that the store , not surprisingly , had a large percentage of women among its patrons . " This function is unmistakably expressed in the design ... the treatment of the ornamented detail [ of the display windows ] is es- sentially ...
... noted that the store , not surprisingly , had a large percentage of women among its patrons . " This function is unmistakably expressed in the design ... the treatment of the ornamented detail [ of the display windows ] is es- sentially ...
Pagina 221
... noted by Scalvini ( 1974 ) , Eco was analyzing the word ' column ' , not the architectural element ' column ' . The relationship between the meaning of architectural elements and the meaning of the words used to refer to them is too ...
... noted by Scalvini ( 1974 ) , Eco was analyzing the word ' column ' , not the architectural element ' column ' . The relationship between the meaning of architectural elements and the meaning of the words used to refer to them is too ...
Pagina 243
... noted by Hoffmann ( 1976 ) , Tallmadge had figured out the Shingle style and its leading characteristics long before Scully , even if he did not call it by that name . However , it was Scully , not Tallmadge , who must be credited for ...
... noted by Hoffmann ( 1976 ) , Tallmadge had figured out the Shingle style and its leading characteristics long before Scully , even if he did not call it by that name . However , it was Scully , not Tallmadge , who must be credited for ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote