Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 33
... philosophy can still be heard from time to time . Munari argued in 1966 that a designer with a personal style was a contradiction in terms : There is no such thing as a personal style in a designer's work . While a job is in hand , be ...
... philosophy can still be heard from time to time . Munari argued in 1966 that a designer with a personal style was a contradiction in terms : There is no such thing as a personal style in a designer's work . While a job is in hand , be ...
Pagina 166
... philosophy reflected in the building and the teaching philosophy of the school . Classifying the Pavilion within the historical category ' Bauhaus architecture ' ( or , more appropriately , ' Bauhaus architecture of the Miesian period ...
... philosophy reflected in the building and the teaching philosophy of the school . Classifying the Pavilion within the historical category ' Bauhaus architecture ' ( or , more appropriately , ' Bauhaus architecture of the Miesian period ...
Pagina 261
... philosophy of literary criticism . Chicago and London : The University of Chicago Press , 1964 . Welch , Kenneth C ... Philosophical Library , 1955 . Wichmann , Hans and Siegried : Schach . Ursprung und Wandlung der Spielfigur in zwölf ...
... philosophy of literary criticism . Chicago and London : The University of Chicago Press , 1964 . Welch , Kenneth C ... Philosophical Library , 1955 . Wichmann , Hans and Siegried : Schach . Ursprung und Wandlung der Spielfigur in zwölf ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote