Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 44
... pure technology nor by geometry , nor by the computer , nor by any conceivable manipulation or knowledge of physical reality . The mythical ' natural ' essential shapes the creators of the Modern Movement were striving for did not ...
... pure technology nor by geometry , nor by the computer , nor by any conceivable manipulation or knowledge of physical reality . The mythical ' natural ' essential shapes the creators of the Modern Movement were striving for did not ...
Pagina 212
... pure symbols and therefore , as indicated by Zevi , pure poetry . But symbols of what , if they were not based on any semantic code , and - as any purely poetic work - they only reached their coherence and their meaning in their own ...
... pure symbols and therefore , as indicated by Zevi , pure poetry . But symbols of what , if they were not based on any semantic code , and - as any purely poetic work - they only reached their coherence and their meaning in their own ...
Pagina 218
... pure architectural anti - Nature . Text analysis Initial blindness to the significance of the building , pre - canonical responses , canonical interpretation , authoritative interpretation , dissemination , silence , and ...
... pure architectural anti - Nature . Text analysis Initial blindness to the significance of the building , pre - canonical responses , canonical interpretation , authoritative interpretation , dissemination , silence , and ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi