Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 20
... reason to be grateful that the Hancock company chose to cast itself in the role of Medici . This building ... [ is ] ... reasons are diametrically opposed . For Pevsner , the tower meant economy and avoidance of personal expression . For ...
... reason to be grateful that the Hancock company chose to cast itself in the role of Medici . This building ... [ is ] ... reasons are diametrically opposed . For Pevsner , the tower meant economy and avoidance of personal expression . For ...
Pagina 137
... reasons may have carried some weight in individual cases ; it is still a fact , however , that omissions up to the 1950s are more frequent than during the 1960s , when the reasons suggested could have been equally compelling . Most ...
... reasons may have carried some weight in individual cases ; it is still a fact , however , that omissions up to the 1950s are more frequent than during the 1960s , when the reasons suggested could have been equally compelling . Most ...
Pagina 150
... reason did not become incorporated in the architectural practice of sub- sequent years are likely to pass undetected . If historians want to avoid this pitfall and truly see the works of the past ' through the eyes of its epoch ' , they ...
... reason did not become incorporated in the architectural practice of sub- sequent years are likely to pass undetected . If historians want to avoid this pitfall and truly see the works of the past ' through the eyes of its epoch ' , they ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi