Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 68
... selected the paintings for their experiment not only on the basis of representational content but also on other , more pictorial qualities , such as colouring , drawing , and shape . This does not follow , however , from the evidence ...
... selected the paintings for their experiment not only on the basis of representational content but also on other , more pictorial qualities , such as colouring , drawing , and shape . This does not follow , however , from the evidence ...
Pagina 103
... selected to illustrate the text correspond to the position of the writer . The photographs that appear in the books of Joedicke ( 66 ) and Giedion emphasize the horizontality of the façade , in contrast to the views selected by Fitch ...
... selected to illustrate the text correspond to the position of the writer . The photographs that appear in the books of Joedicke ( 66 ) and Giedion emphasize the horizontality of the façade , in contrast to the views selected by Fitch ...
Pagina 120
... selection of the contemporary buildings , I relied basically on my extensive architectural file of selected clippings and tear sheets about important buildings from professional journals and other relevant publications of the last ...
... selection of the contemporary buildings , I relied basically on my extensive architectural file of selected clippings and tear sheets about important buildings from professional journals and other relevant publications of the last ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote