Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 103
... structure architecturally by making beams and columns equal elements . He did not wish to emphasize structure ( Hilberseimer , 1956 ) . Here the internal honeycomb structure was allowed to appear on the outside as well , without any ...
... structure architecturally by making beams and columns equal elements . He did not wish to emphasize structure ( Hilberseimer , 1956 ) . Here the internal honeycomb structure was allowed to appear on the outside as well , without any ...
Pagina 197
... structure of St Denis Gothic was already in existence in buildings of transitional style , such as St É- tienne in Beauvais or the porch in Cluny . More significant within the context of this study , however , is the question as to ...
... structure of St Denis Gothic was already in existence in buildings of transitional style , such as St É- tienne in Beauvais or the porch in Cluny . More significant within the context of this study , however , is the question as to ...
Pagina 212
... structure of their architectural image : Because of his stubborn obstinacy toward the few things in which he really believed , Mies went through Expressionism , Sachlichkeit and Nazism without being affected by any of them . He designed ...
... structure of their architectural image : Because of his stubborn obstinacy toward the few things in which he really believed , Mies went through Expressionism , Sachlichkeit and Nazism without being affected by any of them . He designed ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote