Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 128
... tion must centre on the period and its history , and only secondarily on the type . This was the position of Giedion , Pevsner , and the other historians of the Modern Movement . This dichotomy explains why the practitioners and the ...
... tion must centre on the period and its history , and only secondarily on the type . This was the position of Giedion , Pevsner , and the other historians of the Modern Movement . This dichotomy explains why the practitioners and the ...
Pagina 169
... tion . But all that Norton had to say about Mies's Pavilion was limited to noting its ' sheer brilliance , precision , slickness of material , and clarity of plan ' . These may in fact have been attributes of the edifice , but they were ...
... tion . But all that Norton had to say about Mies's Pavilion was limited to noting its ' sheer brilliance , precision , slickness of material , and clarity of plan ' . These may in fact have been attributes of the edifice , but they were ...
Pagina 223
... tion of interpreters sharing the same culture that allow for the identifica- tion of supra - individual expressive systems . Collective canonical in- terpretations , as discussed earlier , are an instance of such an occurrence ...
... tion of interpreters sharing the same culture that allow for the identifica- tion of supra - individual expressive systems . Collective canonical in- terpretations , as discussed earlier , are an instance of such an occurrence ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi