Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 6
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than ...
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than ...
Pagina 10
And it is only as we find an adequate notion of the ęsthetic in its broad scope in experience that we shall find the native place of beauty in our world , or come to any satisfactory , matter - of - fact account of the nature and the ...
And it is only as we find an adequate notion of the ęsthetic in its broad scope in experience that we shall find the native place of beauty in our world , or come to any satisfactory , matter - of - fact account of the nature and the ...
Pagina 86
For art it is the negation of the function of the medium of presentation , which itself constitutes the ęsthetic content . So far as structural elements in the arts arrive at the degree of familiarity that turns them into bare cues to ...
For art it is the negation of the function of the medium of presentation , which itself constitutes the ęsthetic content . So far as structural elements in the arts arrive at the degree of familiarity that turns them into bare cues to ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole