Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 6
... Æsthetic surface is concretely had , directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so ... aesthetic aspect of experience 6 ÆSTHETIC ANALYSIS.
... Æsthetic surface is concretely had , directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so ... aesthetic aspect of experience 6 ÆSTHETIC ANALYSIS.
Pagina 10
... æsthetic data as distinguished from other data , or the characteristics that distinguish æsthetic experiencing from experiencing in general , it may make for clarity to distinguish æsthetics as theory from other theory , and ...
... æsthetic data as distinguished from other data , or the characteristics that distinguish æsthetic experiencing from experiencing in general , it may make for clarity to distinguish æsthetics as theory from other theory , and ...
Pagina 59
... æsthetic aspects of the physical media that are the bearers of æsthetic form and quality . And æsthetics is forced into considering such media , and various non- æsthetic purposes , if for no other reason than to distinguish practical ...
... æsthetic aspects of the physical media that are the bearers of æsthetic form and quality . And æsthetics is forced into considering such media , and various non- æsthetic purposes , if for no other reason than to distinguish practical ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words