Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 37
... abstract analysis , selecting only its length , is use- ful to us . But it is only too plain that we may abstract the wrong features for any given purpose . If , in the case of the road , we wanted to complete mileage figures on a map ...
... abstract analysis , selecting only its length , is use- ful to us . But it is only too plain that we may abstract the wrong features for any given purpose . If , in the case of the road , we wanted to complete mileage figures on a map ...
Pagina 54
... abstract re- lations subsist have literally vanished , as points have be- come by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have ...
... abstract re- lations subsist have literally vanished , as points have be- come by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have ...
Pagina 110
... abstract temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously ...
... abstract temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words