Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 106
... accent is often possible on the same monosyllable in the same context without offensive distortion of linguistic convention and without danger to sense . Accent , then , is the chief means of indicating temporal measure in Eng- lish ...
... accent is often possible on the same monosyllable in the same context without offensive distortion of linguistic convention and without danger to sense . Accent , then , is the chief means of indicating temporal measure in Eng- lish ...
Pagina 122
... accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second syllable than for the first . This would be true in the singular ; in the plural it ...
... accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second syllable than for the first . This would be true in the singular ; in the plural it ...
Pagina 126
... accent in marking off the pattern , and even accent on the wrong syllables , and the grouping of several syllables in much shorter time than normal speech would allow . But of course the classic jingles are classic just because they ...
... accent in marking off the pattern , and even accent on the wrong syllables , and the grouping of several syllables in much shorter time than normal speech would allow . But of course the classic jingles are classic just because they ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words