Esthetic Analysis |
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Pagina 106
Monosyllables are accented or not , but again in accordance with the exigencies of significance ; though either relatively heavy or relatively light accent is often possible on the same monosyllable in the same context without offensive ...
Monosyllables are accented or not , but again in accordance with the exigencies of significance ; though either relatively heavy or relatively light accent is often possible on the same monosyllable in the same context without offensive ...
Pagina 122
in a great а of finished verse , but some obvious differences in the temporal duration of syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables .
in a great а of finished verse , but some obvious differences in the temporal duration of syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables .
Pagina 126
one lines of poetry , the fact is taken into account that once a temporal pattern has been clearly defined to sense , only strikingly displaced accent prevents its being discerned as continuing in the form established .
one lines of poetry , the fact is taken into account that once a temporal pattern has been clearly defined to sense , only strikingly displaced accent prevents its being discerned as continuing in the form established .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole