Esthetic Analysis |
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Risultati 1-3 di 51
Pagina 37
а а various aspects of the actual road this bare abstract measure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose exactly what ...
а а various aspects of the actual road this bare abstract measure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose exactly what ...
Pagina 114
... of terms an effect comparable to the effect of the actual verse itself , instead of analysing or in any sense explaining that effect in terms of such of its constituents as can be discerned , and as they actually go to make it up .
... of terms an effect comparable to the effect of the actual verse itself , instead of analysing or in any sense explaining that effect in terms of such of its constituents as can be discerned , and as they actually go to make it up .
Pagina 182
It is the variety that is held together in it that gives it any concrete content at all , any actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various .
It is the variety that is held together in it that gives it any concrete content at all , any actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole