Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 37
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
Pagina 114
... actual verse itself , instead of analysing or in any sense explaining that effect in terms of such of its constituents as can be discerned , and as they actually go to make it up . And the literary criticism of analysis in general is ...
... actual verse itself , instead of analysing or in any sense explaining that effect in terms of such of its constituents as can be discerned , and as they actually go to make it up . And the literary criticism of analysis in general is ...
Pagina 182
... actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various . Abstract order itself , order as such , being by definition the order of nothing , cannot even be present to sense . And ...
... actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various . Abstract order itself , order as such , being by definition the order of nothing , cannot even be present to sense . And ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words