Esthetic Analysis |
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Pagina 155
The work of art is ęsthetically adequate to just the degree to which the apprehension of the constituent elements in the structure they compose , and present to a normally sensitive human organism , results in this concretely present ...
The work of art is ęsthetically adequate to just the degree to which the apprehension of the constituent elements in the structure they compose , and present to a normally sensitive human organism , results in this concretely present ...
Pagina 159
7 significance or individuality ; but both his technical artistic powers and the genuineness of his feeling are necessary conditions of adequate expression . The lack of the former is fatal to ästhetic adequacy ; the possession of the ...
7 significance or individuality ; but both his technical artistic powers and the genuineness of his feeling are necessary conditions of adequate expression . The lack of the former is fatal to ästhetic adequacy ; the possession of the ...
Pagina 202
But if criticism is single - mindedly engaged on telling us what sort of character specific works of art have , and to what degree they have them , it is plain that the adequately functioning critic will have a whole set of such ...
But if criticism is single - mindedly engaged on telling us what sort of character specific works of art have , and to what degree they have them , it is plain that the adequately functioning critic will have a whole set of such ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole