Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 39
... adequate knowl- edge that we want So in æsthetics itself . Its final aim is the body of knowledge that conditions direct and adequate apprehension , makes us at home among æsthetic objects . But such apprehension in any particular case ...
... adequate knowl- edge that we want So in æsthetics itself . Its final aim is the body of knowledge that conditions direct and adequate apprehension , makes us at home among æsthetic objects . But such apprehension in any particular case ...
Pagina 155
... adequate to just the degree to which the apprehension of the constituent elements in the structure they compose , and present to a normally sensitive human organism , results in this con- cretely present feeling . In one sense , then ...
... adequate to just the degree to which the apprehension of the constituent elements in the structure they compose , and present to a normally sensitive human organism , results in this con- cretely present feeling . In one sense , then ...
Pagina 159
... adequate expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior ...
... adequate expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words