Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 22
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
Pagina 190
David Wight Prall. of soundness in æsthetic theory or to compensating cyni- cism . But such cynicism , directed towards art itself or towards æsthetics , has its actual ground in thoroughly irrelevant data , supplied by such professed ...
David Wight Prall. of soundness in æsthetic theory or to compensating cyni- cism . But such cynicism , directed towards art itself or towards æsthetics , has its actual ground in thoroughly irrelevant data , supplied by such professed ...
Pagina 204
... æsthetic theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is ...
... æsthetic theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words